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This article needs additional citations for. Unsourced material may be challenged and removed. (October 2009) BBC Radio 1 Broadcast area United Kingdom:, United States: Canada: Worldwide: Where It Begins: 97.7 - 99.7 (UK) 97.1 (Jersey): 12B – Name: Radio 1: 700: 700 (UK only): 0101: 901: 907 First air date 30 September 1967, Language(s) English Owner. HTTP Streams. HLS Streams. MPEG DASH Streams. Website.

BBC Radio 1 is a British operated by the which also broadcasts internationally, specialising in modern and current and chart hits throughout the day. Radio 1 provides alternative genres after 7 pm, including electronic dance, hip hop, rock, indie or interviews. It was launched in 1967 to meet the demand for music generated by stations, when the average age of the UK population was 27. Recently, the BBC claimed that it still targets the 15–29 age group, although the average age of its UK audience in 2008 had risen to 33. BBC Radio 1 started 24-hour broadcasting on 1 May 1991. Further information: First broadcast Radio 1 was established in 1967 (along with the more ) as a successor to the, which had broadcast popular music and other entertainment since 1945.

Radio 1 was conceived as a direct response to the popularity of offshore stations such as and, which had been outlawed. Radio 1 was launched at 6:55 am on Saturday 30 September 1967.

Broadcasts were on 247 metres (1215 kHz) medium wave, using a network of transmitters which had carried the Light Programme. Most were of comparatively low power, at less than 50 kilowatts, leading to patchy coverage of the country. The first disc jockey to broadcast on the new station was, whose cheery style, first heard on and, won him the prime slot on what became known as the 'Radio 1 Breakfast Show'.

The first words on Radio 1 – after a countdown by the Controller of Radios 1 and 2, and a jingle, recorded at in, beginning 'The voice of Radio 1' – were: And, good morning everyone. Welcome to the exciting new sound of Radio 1.

— BBC Radio 1 opening message This was the first use of US-style jingles on BBC radio, but the style was familiar to listeners who were acquainted with Blackburn and other DJs from their days on pirate radio. The reason jingles from PAMS were used was that the would not agree to a single fee for the singers and musicians if the jingles were made 'in-house' by the BBC; they wanted repeat fees each time one was played. The first music to be heard on the station was 'Theme One', specially composed for the launch. It was followed by an extract from 'Beefeaters'.

The first complete record played on Radio 1 was '. The second single was '. The breakfast show remains the most prized slot in the Radio 1 schedule, with every change of breakfast show presenter exciting considerable media interest.

The initial rota of staff included and a gaggle of others, some transferred from pirate stations, such as, David Ryder, Jim Fisher, Duncan Johnson, Doug Crawford, and. Many of the most popular pirate radio voices, such as Simon Dee, had only a one-hour slot per week ('Midday Spin.' ) 1970s peak. I want to slag off all the people in charge of radio stations. Firstly, Radio 1. They outlawed the pirates and then didn't, as they promised, cater for the market the pirates created. Radio 1 and 2, most afternoons, run concurrently and the whole thing has slid right back to where it was before the pirates happened.

They've totally fucked it. There's no radio station for young people any more. It's all down to housewives and trendies in Islington. They're killing the country by having that play list monopoly. — Initially, the station was unpopular with some of its target audience who, it is claimed, disliked the fact that much of its airtime was shared with and that it was less unequivocally aimed at a young audience than the offshore stations, with some DJs such as being in their 40s. The very fact that it was part of an 'establishment' institution such as the was a turn-off for some, and restrictions prevented it from playing as many records as offshore stations had.

It also had limited finances (partly because the BBC did not increase its licence fee to fund the new station) and often, as in January 1975, suffered disproportionately when the BBC had to make financial cutbacks, strengthening an impression that it was regarded as a lower priority by senior BBC executives. Despite this, it gained massive audiences, becoming the most listened-to station in the world with audiences of over 10 million claimed for some of its shows (up to 20 million for some of the combined Radio 1 and Radio 2 shows).

In the early-mid-1970s Radio 1 presenters were rarely out of the British tabloids, thanks to the Publicity Department's high-profile work. The touring summer live broadcasts called the – usually as part of the BBC 'Radio Weeks' promotions that took Radio 1, 2 and 4 shows on the road – drew some of the largest crowds of the decade. The station undoubtedly played a role in maintaining the high sales of 45 rpm single records although it benefited from a lack of competition, apart from and in the Isle of Man. ( did not begin until October 1973 and took many years to cover virtually all of the UK). 's 'Saturday Rock Show' was voted 'Best Radio Show' five years running by readers of a national music publication, and was then axed by controller Derek Chinnery., who joined in 1970, was Britain's first female DJ and is now the longest serving presenter, having constantly evolved her musical tastes with the times.

On Thursday 23 November 1978 the station moved to two new medium wave frequencies (275m and 285m) which allowed a major increase in transmitter powers and improved coverage of the UK. 247 metres was passed to Radio 3. The station was on medium wave only until the early 80s, when it took over the Radio 2 FM frequency for a number of hours on weekend afternoons and late weekday evenings. Eventually the BBC set up an FM channel specifically for Radio 1 and after a number of years of parallel broadcasting, relinquished the medium wave frequencies. 1990s changes. This section does not any. Unsourced material may be challenged and.

(July 2017) In his last few months as controller, Johnny Beerling commissioned a handful of new shows that in some ways set the tone for what was to come under. One of these ' was the UK's first national radio series aimed at a gay audience (made in and was aired from August 1993). Far from being a parting quirk, the show was a surprise hit and led to the network's first coverage of the large outdoor event in 1994. Bannister took the reins fully in October 1993. His aim was to rid the station of its ' image and make it appeal to the under 25s. Although originally launched as a youth station, by the early 1990s, its loyal listeners (and DJs) had aged with the station over its 25-year history. Many long-standing DJs, such as, and later, and left the station or were sacked, and in January 1995 old music (typically anything recorded before 1990) was banned from the daytime.

Many listeners rebelled as the first new DJs to be introduced represented a crossover from other parts of the BBC (notably Bannister and Trevor Dann's former colleagues at the BBC's London station, ) with and. Another problem was that, at the time, was sticking resolutely to a format which appealed mainly to those who had been listening since the days of the, and commercial radio, which was targeting the 'Radio 1 and a half' audience, consequently enjoyed a massive increase in its audience share at the expense of Radio 1. After the departure of, who had been unsuccessfully moved from his long-running afternoon show to the breakfast show in January 1994, Bannister hired to present the prime morning slot in April 1995. Evans was a popular but controversial presenter who was eventually sacked in 1997 after he demanded to present the breakfast show for only four days per week. Evans was replaced from 17 February 1997 by – (along with his sidekick ), who found the slick, mass-audience style required for a breakfast show did not come naturally to them.

They were replaced by and eight months later in October 1997, with Greening moving on and leaving Ball as solo presenter. The reinvention of the station happened at a fortuitous time, with the rise of in the mid-90s – bands like, and were popular and credible at the time and the station's popularity rose with them.

Documentaries like John Peel's 'Lost in Music' which looked at the influence that the use of have had over popular musicians received critical acclaim but were slated inside. Later in the 1990s the Britpop boom declined, and manufactured chart pop ( and acts aimed at sub-teenagers) came to dominate the charts. New-genre music occupied the evenings (indie on weekdays and dance at weekends), with a mix of specialist shows and playlist fillers through late nights. The rise of culture through the late 1980s and early 1990s gave the station the opportunity to move into a controversial and youth-orientated movement by bringing in club DJ amongst others. There had been a dance music programme on Radio 1 since 1987 and Pete Tong was the second DJ to present an all dance music show. This quickly gave birth to the where underground DJs mix electronic and club based music in a two-hour slot. Dance music has been a permanent feature on Radio 1 since with club DJs such as, and all having shows as well as Radio 1 hosting an annual weekend in.

This article's may be compromised due to out-of-date information. Please update this article to reflect recent events or newly available information. (October 2012) At midnight on 9 August 2011, ceased carrying BBC Radio 1 programming with no prior warning. On 10 August 2011 the BBC issued the following statement: The BBC’s commercial arm BBC Worldwide has been in partnership with SIRIUS Satellite Radio to broadcast Radio 1 on their main network, since 2005. This agreement has now unfortunately come to an end and BBC Worldwide are in current discussions with the satellite radio station to find ways to continue to bring popular music channel, BBC Radio 1, to the US audience. We will keep you posted. Thousands of angry Sirius XM customers began a campaign on and other social media to reinstate BBC Radio 1 on Sirius XM Radio.

One week later, Sirius and the BBC agreed on a new carriage agreement that saw Radio 1 broadcast on a time-shifted format on the Sirius XM Internet Radio platform only, on channel 815. The channel is still unavailable on the satellite platform of the service. Starting on 15 January 2012, The Official Chart Show began broadcasting on SiriusXM 20on20 channel 3, at 4 pm and 9 pm. On 19 August 2014, SiriusXM again stopped carrying BBC Radio 1 programming with no advanced notice.

The stream is no longer available on the Internet Radio platform. Regionalisation From 1999 until 2012, Radio 1 split the for localised programming in Scotland, Wales and Northern Ireland, to allow the broadcast of a showcase programme for regional talent. Most recently, these shows were under the brand. Scotland, Wales and Northern Ireland had their own shows, which were broadcast on a 3-week rotational basis in England. From January 2011 until June 2012, Scotland's show was presented by Ally McCrae. Previously it was hosted by (who also presents for ); who had presented the show solo since 2004, after his original co-host Gill Mills departed. Wales's show was hosted by Jen Long between January 2011 until May 2012.

Previously occupied the slot, who had at one time hosted alongside Huw Stephens, until Stephens left to join the national network, although he still broadcasts a show for Wales - a Welsh-language music show on on Thursday evenings) Phil Taggart presented the Northern Ireland programme between November 2011 and May 2012. The show was formerly presented. Before joining the national network, was a presenter on the Session in Northern Ireland, along with Donna Legge; after Murray's promotion to the network Legge hosted alone for a time, and on her departure McConnell took her place.

The regional opt-outs originally went out from 8 pm to 10 pm on Thursdays (the Evening Session's time slot) and were known as the Session in the Nations (the 'Session' tag was later dropped due to the demise of the Evening Session); they later moved to run from 7:30 pm to 9 pm, with the first half-hour of Zane Lowe's programme going out across the whole of the UK. On 18 October 2007 the regional programmes moved to a Wednesday night/Thursday morning slot from midnight to 2 am under the BBC Introducing banner, allowing Lowe's Thursday show to be aired across the network; prior to this change Huw Stephens had presented the Wednesday midnight show nationally. In January 2011, BBC Introducing was moved to the new time slot of midnight to 2 am on Monday mornings, and the Scottish and Welsh shows were given new presenters in the form of Ally McCrae and Jen Long. The opt-outs were only available to listeners on the FM frequencies. Because of the way the DAB and digital TV services of Radio 1 are broadcast (a single-frequency network on DAB and a single broadcast feed of Radio 1 on TV platforms), the digital version of the station was not regionalised. The announced in May 2012 that the regional music programmes on Radio 1 would be replaced with a single programme offering a UK-wide platform for new music as part of a series of cost-cutting measures across the BBC. In June 2012, the regional shows ended and were replaced by a single BBC Introducing show presented by Jen Long and Ally McCrae.

Content Music Because of its youth-orientated nature, Radio 1 plays a mix of current songs, including /, and. Due to restrictions on the amount of commercial music that could be played on radio in the UK until 1988 (the ' limitation) the station has recorded many live performances.

Studio sessions (recordings of about four tracks made in a single day), also supplemented the live music content, many them finding their way to commercially available LPs and CDs. The sessions recorded for 's late night programme are particularly renowned. The station also broadcasts documentaries and interviews.

Although this type of programming arose from necessity it has given the station diversity. The needletime restrictions meant the station tended to have a higher level of speech by DJs. While the station is often criticised for 'waffling' by presenters, an experimental 'more music day' in 1988 was declared a failure after only a third of callers favoured it. News and current affairs. Main article: Radio 1 has a obligation to provide news, which it fulfills through bulletins throughout the day.

Shared with, short news summaries are provided roughly hourly on the half-hour during daytime hours with two 15-minute bulletins at 12:45 pm and 5:45 pm on weekdays. The main presenter is Chris Smith, with presenting during Radio 1's breakfast hours.

Online visualisation and social media In recent years, Radio 1 has aimed to include more of its content online in order to relate to the changing nature of its audience. Its channel now has over 3 million subscribers and many features and events are streamed on both that and the Radio 1 website. The station also has a heavy presence on social media, with audience interaction now occurring mainly through and as well as. It was announced in 2013 that Radio 1 had submitted plans to launch its own dedicated video channel on the where videos of live performances as well as some features and shows would be streamed in a central location.

Plans were approved by the in November 2014 and the channel launched on 10 November 2014. Controllers. Weekdays. 04:00 – 06:30 –. 06:30 – 10:00 – with. 10:00 – 12:45 –. 12:45 – 13:00 –.

13:00 – 16:00 –. 16:00 – 17:45 – (Monday to Thursday). (Including: Monday: 17:30–17:45). 16:00 – 17:45 – (Friday). 17:45 – 18:00 –. 18:00 – 19:00 – (Monday to Thursday).

18:00 – 19:00 – (Friday) Weekends. 06:00 – 10:00 –.

10:00 – 13:00 – Radio 1's Greatest Hits with. 13:00 – 16:00 –.

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16:00 – 19:00 – (Saturday). 16:00 – 18:00 – Radio 1's Life Hacks with and (Sunday). 18:00 – 19:00 – Radio 1's Most Played with Cel Spellman and Katie Thistleton (Sunday) Nighttime.

Monday to Thursday. 19:00 – 21:00 –. 21:00 – 23:00 – The 8th with.

23:00 – 01:00 – (Monday to Wednesday). 01:00 – 03:00 – Radio 1's Drum & Bass Show with (Tuesday). 03:00 – 04:00 – Radio 1's Specialist Chart with (Tuesday).

01:00 – 03:00 – presents. (Wednesday). 03:00 – 04:00 – BBC Radio 1 and 1Xtra's Stories (Wednesday). 01:00 – 03:00 – (Thursday). 23:00 – 01:00 – BBC Radio 1's Residency (Thursday). 01:00 – 03:00 – (Friday). 03:00 – 04:00 – Radio 1's Artist Takeover with.

(Friday) Friday evenings feature 11 hours of dance music. 19:00 – 21:00 –.

21:00 – 23:00 –. 23:00 – 01:00 –. 01:00 – 04:00 –. 04:00 – 06:00 – Saturday evenings include 11 hours of 1Xtra Takeover which, since October 2009, has been simulcast entirely on. 19:00 – 21:00 – DJ Target. 21:00 – 23:00 – 1Xtra's Rap Show with.

23:00 – 01:00 – and Friends. 01:00 – 04:00 – Radio 1's Asian Beats with Kan D Man & DJ Limelight. 04:00 - 06:00 – Sunday evenings. 19:00 – 22:00 – Rock Show with.

22:00 – 01:00 –. 01:00 – 03:00 – Monki. 03:00 – 04:00 – Radio 1’s Artist Takeover with. Notable programming Breakfast.

Main article: BBC Radio 1's chart show had aired the exclusively on Sunday afternoons since the programme began; but this was moved to Fridays in July 2015. Currently broadcasting from 4:00 pm until 5:45 pm, the format, length and starting time have varied over the years.

For many years, the show prided itself on playing all 40 singles in the top 40 but this practice ended when took over as presenter in 2003; then only tracks below number 20 to be played were the new entries. The show took its current format on 10 July 2015, being presented by in his usual drive time slot. Random tracks from 40 - 11 are played and then the top 10 are played in full. Special programming Bank Holiday programming Radio 1 provides alternative programming on some Bank Holidays.

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Programmes have included 'The 10 Hour Takeover', a request-based special, in which the DJs on air would encourage listeners to select any available track to play, 'One Hit Wonder Day' and 'The Chart Of The Decade' where the 150 biggest selling singles in the last 10 years were counted down and played in full. 40th birthday On Sunday 30 September 2007, Radio 1 celebrated its 40th birthday. To mark this anniversary Radio 1 hosted a week of special features, including:. Special shows hosted by music legends at 9:00 pm each weekday. Between 9:00 am and 10:00 am on the show, the best music from the last 40 years (a re-creation of Simon Bates' ). Playing Radio 1's old jingles, which were created.

40 different artists performed 40 different covers, one from each year since Radio 1 was established. All 40 songs were played in the weeks leading up to the release of the. On the anniversary day was joined on a special Breakfast Show by.

interviewed past Breakfast Show presenters including, and. Ex Breakfast Show hosts & teamed up to present an anniversary show on the Sunday. Past newsreaders including Peter Bowes, Richard Evans & Rod McKenzie returned to present bulletins. 50th birthday On Saturday 30 September 2017, Radio 1 celebrated its 50th birthday.

Recreated the first ever Radio 1 broadcast on, simulcast on pop-up station Radio 1 Vintage, followed by celebration, tricast on Radio 1, Radio 2 and Radio 1 Vintage, presented by Tony Blackburn and Nick Grimshaw, featuring former presenters, and. Charity Radio 1 regularly supports charities, and. On 18 March 2011, BBC's Radio 1 longest serving breakfast DJ and sidekick broadcast for 52 hours as part of a attempt, in aid of.

The pair stayed on air for 52 hours in total setting a new world record for 'Radio DJ Endurance Marathon (Team)’ after already breaking 's 12-year record for Radio 1's Longest Show of 37 hours which he set in 1999, also for Comic Relief. The presenters started on 16 March 2011 and came off air at 10:30 am on 18 March 2011.

During this Fearne Cotton made a bet with DJ Chris Moyles that if they raise over £2,000,000 she will appear on the show in a swimsuit. After passing the £2,000,000 mark, Cotton appeared on the studio webcam in a stripy monochrome swimsuit. The appearance of Cotton between 10:10 am and 10:30 am caused the Radio 1 website to crash due to a high volume of traffic. In total the event raised £2,622,421 for Comic Relief. Drama In 1981, Radio 1 broadcast a radio adaptation of the film,. The 13-episode serial was adapted for radio by the author and directed by, and was a between the BBC and the American Broadcaster. Events Radio 1 Roadshows The, which usually involved Radio 1 DJs and pop stars travelling around popular UK seaside destinations, began in 1973, hosted by in, with the final one held at, in 1999.

Although the Roadshow attracted large crowds and the style changed with the style of the station itself—such as the introduction of whistlestop audio postcards of each location in 1994 ('2minuteTour')—they were still rooted in the older style of the station, and therefore fit for retirement. BBC Radio 1's Big Weekend. Main article: In March 2000, Radio 1 decided to change the Roadshow format, renaming it One Big Sunday in the process. Several of these Sundays were held in large city-centre parks.

In 2003, the event changed again and was rebranded, with each event occurring biannually and covering two days. Under this name, it visited in Northern Ireland, as part of the Music Lives campaign, and in.

The most recent change occurred in 2005 when the event was yet again renamed and the decision taken to hold only one per year, this time as. Venues under this title have included, –which was the first Weekend to feature a third stage–, and. Tickets for each Big Weekend are given away free of charge, making it the largest free ticketed music festival in Europe. BBC Radio 1's Big Weekend was replaced by a larger festival in 2012, named 'Radio 1's Hackney Weekend', with a crowd capacity of 100,000. The Hackney Weekend took place over the weekend of 23–24 June 2012 in,. The event was to celebrate the in London and had artists such as, and. In 2013, Radio 1's Big Weekend returned to as part of the City of Culture 2013 celebrations.

So far, Derry is the only city to have hosted the Big Weekend twice. In May 2014, Radio 1's Big Weekend was held in,. Acts which played at the event included, and. The event was opened on the Friday with a dance set in, featuring Radio 1 Dance DJs such as and, and other well-known acts such as and. In 2015, the event was held in and featured performances from the likes of, and others.

2016 saw the event make its way to. It was headlined by who closed the weekend on the Sunday evening. The event was in in 2017 and saw performances by artists such as, and. Ibiza Weekend Radio 1 has annually held a dance music weekend broadcast live from since the 1990s. The weekend is usually the first weekend in August and has performances from world-famous DJs and Radio 1's own dance music talent such as and. BBC Radio 1's Teen Awards Since 2008 Radio 1 has held an annual event for teenagers aged 14 to 17 years. Originally named Live, the first event was held on 12 October 2008 at the.

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The event has been hosted by various Radio 1 DJs and guest co-hosts. In 2010 the event was renamed 'BBC Radio 1's Teen Awards', and includes awards given to celebrities and particularly inspirational young people. Now hosted at, the event has included guests such as, and. The 2014 event took place on 19 October and was hosted by and. The 2015 event took place on 8 November and was hosted by and. The 2016 event took place on 23 October and was hosted by and.

The 2017 event took place on 22 October and was hosted by and. Edinburgh Festival Radio 1 often has a presence at the. Past events have included 'The Fun and Filth Cabaret' and 'Scott Mills: The Musical'. See also. References. 7 March 2014.

From the original on 12 June 2014. Retrieved 12 June 2014.

BBC Online (bbc.co.uk). London, England:. 12 June 2014. From the original on 12 June 2014.

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7 October 2013. Martin, Roy (3 November 2014). Retrieved 3 November 2014. Retrieved 2 February 2008. Retrieved 30 September 2017.

Retrieved 30 September 2017. Retrieved 30 September 2017. 1 January 1970. Retrieved 20 May 2014. Radio Times Archive: BBC Radio 1. BBC Genome Project. From the original on 29 October 2014.

Retrieved 1 August 2016. Robb, Brian J. London: Hachette. Retrieved 21 July 2016. The Independent.

16 March 2000. From the original on 18 February 2008. Retrieved 2 February 2008. Retrieved 20 May 2014.

BBC Music Events. Retrieved 10 July 2017.